證明將終結之 Proof Would End It 矽晶圓微刻 / Silicon wafer, micro-engraving 5 + 1AP 2025
非作品之證書 Certificate of the Anti-Work 鋁板UV打印 / UV print on aluminium 10 版 / Edition of 10 2026
Presented by CLC Gallery Venture (Beijing), curated by 周翊 Zhou Yi
A micro-engraved silicon wafer and its anti-certificate — paired as a single proposition — available as a joint acquisition at HK Basel 2026.
Artist Spotlight: Nick Fudge, Dec 10, 2025
Sedition Art provided the platform. Aria asked the questions that few others did.
Read it here:
Pure_Data_Breve_5, 2025
4K Video
Exhibitions
Nick Fudge | Cubist Guitars in Digital Color Space, Sedition
Pulled at Four Pins (Picasso. Cubism, Pigeon, Petit Pois, 1911), 2016-23
UV print on canvas
180 x 150 cm / 70.8 x 59 in
Exhibitions
尼克•福吉 Nick Fudge | 半手动时代 Semi-Manual Era, 闽吴术作 Gravity Art Museum, Beijing, China, 2024
这个真的 有点被降维打击的感觉
"This really felt a bit like a dimensional reduction strike full of taunt, a kind of eccentric frenzy."
姚斯青 Yao Siqing on the work of 尼克•福吉 Nick Fudge
北京市，重美术馆 Beijing, Gravity Art Museum
2024年6月28日22:26
Cubist Pure Data, 2002–2003
Household enamel and metallic paint on canvas
168 × 128 cm / 66 × 50.3 in
Exhibitions
Nick Fudge | Phil King
Obscured by Clouds | Observer Arts, Hastings, England, 2015
"You gave up painting to do digital art, and with the advent of NFTs, you went back to painting".
Gary Hume
Fall 2026 (forthcoming)
Solo exhibition (title TBC), CLC Gallery Venture, 798 Art District, Beijing, China. Curated by 周翊 Zhou Yi.
May 2026 (forthcoming)
Solo exhibition (title TBC), C5CNM, 798 Art District, Beijing, China. Curated by 周翊 Zhou Yi.
Sedition—Saatchi Gallery—Digitalism Art Fair, London
Fudge's third Sedition collection, Cubist Guitars in Digital Color Space launches September 25, 2025.
Cubist Guitars in Digital Color Space revisits Nick Fudge’s early digital works through the lens of contemporary Gen-AI, creating recursive feedback loops between past and future—where each cycle of reanimation generates unexpected, new outcomes.
Originally based on a 2010s animation featuring nine stylised cubist guitars, the series draws on multiple layers of reference: Picasso’s early modernist guitar constructions, Jasper Johns’s 1960s investigations into the syntax of painting, Warhol’s Pop embrace of mechanical reproduction, and Fudge’s own long-standing engagement with the materiality of digital tools...
In late 2024, 尼克•福吉 Nick Fudge's intentionally hidden, interventionist, and site-specific artwork was installed in Lop Nor, a region of the Gobi Desert in China.
Curated and organized by 周翊 Zhou Yi.
Hidden from human eyes, deep in the desolate vastness of the Gobi Desert, PataPaint is a hidden sign—a work designed for nowhere and everywhere, at once present and absent. This solar-powered beacon of absurdity thrives where no one dares go, and yet, it signals.
PataPaint is not for conventional art lovers. It is a 'pataphysical work designed to mock and transcend your notions of what art and the artist can be. Created by Nick Fudge, PataPaint expresses ineffable insights of metaphysical intuition and reality-unreality perception.
半手动时代 Semi-Manual Era, 闽吴术作 Gravity Art Museum, Beijing, China. Group exhibition; Unplugged In section curated by 周翊 Zhou Yi, with Chen Ke, 尼克•福吉 Nick Fudge, Gao Ludi, Lao Jiahui, Shang Liang, Song Yonghong, Unmask (Liu Zhan), Wang Yiwei, Yancong, Zhang Yudong (June 29–Sept 23, 2024).
Five sections, five curators: Duan Shaofeng, Feng Xi, Li Jia, Zhou Yi, and Dong Jing, and Miao Zijin.
福吉 Fudge collaborated with 周翊 Zhou Yi for 插电 Unplugged In.
插电 Unplugged In artists: Chen Ke, Nick Fudge, Gao Ludi, Lao Jiahui, Shang Liang, Song Yonghong, Unmask (Liu Zhan), Wang Yiwei, Yancong, and Zhang Yudong.
