Selected exhibitions / Art Fairs
Selected exhibitions / Art Fairs
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Forthcoming solo exhibition.
CLC Gallery Venture, 798 Art District, Beijing, China. Curated by 周翊 Zhou Yi.
Concepts developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
Sound: Dr. Michelle Lewis-King / 聲音：王米雪博士Digital sculpture: Dr. Michelle Lewis-King / 數碼雕塑：王米雪博士
Summer 2026 (Title and date TBC)
Art Basel Hong Kong 2026
Presented by CLC Gallery Venture, Beijing — curated by 周翊 Zhou Yi
證明將終結之 / Proof Would End It
Silicon wafer, micro-engraving · 5 + 1AP · 2025
非作品之證書 / Certificate of the Anti-Work
UV print on aluminum · Edition of 10 · 2026
Concepts developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
March 2026 / Hong Kong
Sedition—Saatchi Gallery—Digitalism Art Fair, London, England.
Sedition—Saatchi Gallery—Digitalism Art Fair, London, England.
Cubist Guitars in Digital Color Space
In collaboration with Dr. Michelle Lewis-King / 與王米雪博士合作
Sound: Dr. Michelle Lewis-King / 聲音：王米雪博士
Third collection launch: September 25, 2025Collection available on Sedition SOLD OUT
Lop Nur (Qinghai), China
Lop Nur (Qinghai), China
(Title withheld)
Site-specific installation organized and curated by 周翊 Zhou Yi, in collaboration with C5CNM Gallery and Yaohua
November 1–December 30, 2024
闽吴术作 Gravity Art Museum, Beijing
闽吴术作 Gravity Art Museum, Beijing
半手动时代 Semi-Manual Era
Artists: Chen Ke | Nick Fudge | Gao Ludi | Lao Jiahui Shang Liang | Song Yonghong | Unmask (Liu Zhan) Wang Yiwei | Yancong | Zhang Yudong
Curators: Duan Shaofeng, Feng Xi, Li Jia, Zhou Yi + Dong Jing, and Miao ZijinJune 29–September 23, 2024
Château de Montsoreau - Museum of Contemporary Art, France
Château de Montsoreau - Museum of Contemporary Art, France
Apollo's Decathlon
Group exhibition
Exhibition curated and organized by Lara Pan in collaboration with the museum.June 1–September 21, 2024
Sedition
Sedition
Picasso Pizazz
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
Second collection launch: May 8, 2024
Kelly-McKenna Gallery, Spring Lake, New Jersey
Kelly-McKenna Gallery, Spring Lake, New Jersey
Future Paint
Nick Fudge | Charley Peters | Komply
Curated by Nick Fudge
April 11–May 19, 2024Artist Talk April 11, 2024
HilbertRaum, Berlin, Germany
HilbertRaum, Berlin, Germany
Digital Divide II – Painting in the Age of New Media
Nick Fudge | Andreas Lau | Enda O'Donoghue | Römer + Römer | Sandra Schlipkoeter
October 1–30, 2021
Kunstverein Speyer, Speyer, Germany
Kunstverein Speyer, Speyer, Germany
Digital Divide – Painting in the Age of New Media
Nick Fudge | Andreas Lau | Römer + Römer
December 2019–January 12, 2020
Talk by Claudia StamatelatosKatalog
HSBC HQ, Canada Water, London
Solo exhibitionHSBC HQ, Canada Water, London
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
Curated by Daniel Lancaster and Jeremy Akerman
March 5–June 16, 2018
Artist talk hosted by Jeremy Akerman
Fitzrovia Gallery, London, England.
Fitzrovia Gallery, London, England.
Reality Drive:Escape Velocity
Solo exhibition
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
June 7–July 31, 2016
Observer Arts, Hastings, England.
Observer Arts, Hastings, England.
Reality Drive
Solo exhibition
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
April 1–May 31, 2016
Albus 3 Arts, Northampton, England.
Albus 3 Arts, Northampton, England.
Borderlands
Nathan Barlex | Gareth Cadwallader | EC, Gearing Evans | Nick Fudge | Sam P Gibson | Hanz Hancock | Sharon Hall | Dan Hays | Vincent Hawkins | Claire Jarvis | Sue Kennington | Phil King | David Leapman | Lee Maelzer | Patrick Morrisse | Charley Peters | Benjamin Senior | Jamie Shovlin | Mark Sibley | Caroline Walker
December 11, 2015–January 31, 2016
Observer Arts, Hastings, England.
Observer Arts, Hastings, England.
Two-person exhibition.
Nick Fudge | Phil King
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
Curated by Mathew Burrows.
September 5–October 31, 2015
Much of the work and many of the exhibitions presented here were developed in intellectual and creative partnership with the artist and scholar Dr. Michelle Lewis-King — a friendship begun at Tyler in 1992, renewed in 2010, and central to the practice ever since.
此處呈現的諸多作品與展覽，皆與藝術家及學者王米雪博士在思想與創作上的長期合作中發展而成——這份友誼始於一九九二年的泰勒藝術學院，二〇一〇年重新接續，此後始終是這一實踐的核心。
In 2015, after more than two decades of keeping his work private, Nick Fudge decided to return to exhibitions. His first exhibition since his MFA show in 1994 was a two-person show with Phil King entitled Obscured by Clouds, held at The Observer Building in Hastings. The choice of venue was no accident - far from the pristine walls of a traditional white cube gallery, the dilapidated, graffiti-covered building was a perfect reflection of Fudge's ongoing resistance to the commercialized art world. It was a space that challenged conventional expectations, in keeping with his belief in preserving the integrity of his work.
His return was not about conforming to the art market, but about reasserting his independence and continuing his practice on his own terms. His choice of a non-traditional venue signaled that while he was ready to show his work again, he would do so in a way that maintained the rebellious spirit and conceptual integrity that had always defined his approach.
Tyler School of Art, Temple University, Philadelphia, USA.
Tyler School of Art, Temple University, Philadelphia, USA.
MFA Graduate Exhibition.
Nick Fudge | Steve Voll
Concept developed with Dr. Michelle Lewis-King / 概念與王米雪博士共同發展
May 1–June 15, 1994
Karsten Schubert Ltd. London, England.
Karsten Schubert Ltd. London, England.
Fifth Anniversary Exhibition: Mat Collishaw, Keith Coventry, Tobias Eyferth, Nicholas Fudge and Sarah Lucas.
Fifth Anniversary Exhibition: Mat Collishaw, Keith Coventry, Tobias Eyferth, Nicholas Fudge and Sarah Lucas.
Curated by Michael Landy.
January–February 1992
Resistance built into the design.
Resistance built into the design.
Nick Fudge's decision to withdraw from the London art scene of the 1990s was both deliberate and significant. After graduating from Goldsmiths in 1988, he was ready to join his friends and colleagues in shaking up the London art scene in what became known as the Young British Artists (YBA) movement. Despite the potential for immediate success, Fudge made the bold decision to leave London and move to America. There, he worked in secret, distancing himself from the commercial pressures of the YBA movement. This retreat allowed him to maintain the conceptual integrity of his work and develop his practice on his own terms.
Between 1988 and 2015, Fudge made a conscious decision to limit the public exposure of his work, a choice rooted in his desire to maintain control over the development and conceptual integrity of his artistic practice. By withdrawing from the art market and gallery system, Fudge aimed to protect his work from the distorting pressures of market demands, commercial success, and the relentless focus on career progression instilled in many forms of art education and to allow his art practice to flourish without external influence.
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