Embedded Files
Pure_Data_Breve_5, 2025
4K Video
Exhibitions
Nick Fudge | Cubist Guitars in Digital Color Space, Sedition
Pulled at Four Pins (Picasso. Cubism, Pigeon, Petit Pois, and 1911), 2016-23
UV print on canvas
180 x 150 cm / 70.8 x 59 in
Exhibitions
尼克•福吉 Nick Fudge | 半手动时代 Semi-Manual Era, 闽吴术作 Gravity Art Museum, Beijing, China, 2024
这个真的 有点被降维打击的感觉
"This really felt a bit like a dimensional reduction strike full of taunt, a kind of eccentric frenzy."
姚斯青 Yao Siqing on the work of 尼克•福吉 Nick Fudge
北京市，重美术馆 Beijing, Gravity Art Museum
2024年6月28日22:26
Cubist Pure Data, 2002–2003
Household enamel and metallic paint on canvas
168 × 128 cm / 66 × 50.3 in
Exhibitions
Nick Fudge | Phil King
Obscured by Clouds | Observer Arts, Hastings, England, 2015
"You gave up painting to do digital art, and with the advent of NFTs, you went back to painting".
Gary Hume
Forthcoming
Forthcoming
纳米回顾
纳米回顾
2026 (forthcoming)
Solo exhibition (title TBC), CLC Gallery Venture, 798 Art District, Beijing, China. Curated by 周翊 Zhou Yi.
Recent
Recent
Cubist Guitars in Digital Color Space
Cubist Guitars in Digital Color Space
Sedition—Saatchi Gallery—Digitalism Art Fair, London
Fudge's third Sedition collection, Cubist Guitars in Digital Color Space launches September 25, 2025.
Cubist Guitars in Digital Color Space. COLLECTION SOLD OUT
Cubist Guitars in Digital Color Space revisits Nick Fudge’s early digital works through the lens of contemporary Gen-AI, creating recursive feedback loops between past and future—where each cycle of reanimation generates unexpected, new outcomes.
Originally based on a 2010s animation featuring nine stylised cubist guitars, the series draws on multiple layers of reference: Picasso’s early modernist guitar constructions, Jasper Johns’s 1960s investigations into the syntax of painting, Warhol’s Pop embrace of mechanical reproduction, and Fudge’s own long-standing engagement with the materiality of digital tools...
啪嗒颜料
啪嗒颜料
In late 2024, 尼克•福吉 Nick Fudge's intentionally hidden, interventionist, and site-specific artwork was installed in Lop Nor, a region of the Gobi Desert in China.
Curated and organized by 周翊 Zhou Yi.
Hidden from human eyes, deep in the desolate vastness of the Gobi Desert, PataPaint is a hidden sign—a work designed for nowhere and everywhere, at once present and absent. This solar-powered beacon of absurdity thrives where no one dares go, and yet, it signals.
PataPaint is not for conventional art lovers. It is a 'pataphysical work designed to mock and transcend your notions of what art and the artist can be. Created by Nick Fudge, PataPaint expresses ineffable insights of metaphysical intuition and reality-unreality perception.
半手动时代 Semi-Manual Era
半手动时代 Semi-Manual Era
半手动时代 Semi-Manual Era, 闽吴术作 Gravity Art Museum, Beijing, China. Group exhibition; Unplugged In section curated by 周翊 Zhou Yi, with Chen Ke, 尼克•福吉 Nick Fudge, Gao Ludi, Lao Jiahui, Shang Liang, Song Yonghong, Unmask (Liu Zhan), Wang Yiwei, Yancong, Zhang Yudong (June 29–Sept 23, 2024).
Five sections, five curators: Duan Shaofeng, Feng Xi, Li Jia, Zhou Yi, and Dong Jing, and Miao Zijin.
福吉 Fudge collaborated with 周翊 Zhou Yi for 插电 Unplugged In.
插电 Unplugged In artists: Chen Ke, Nick Fudge, Gao Ludi, Lao Jiahui, Shang Liang, Song Yonghong, Unmask (Liu Zhan), Wang Yiwei, Yancong, and Zhang Yudong.
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