Notes towards a strategy of circumventing the art business and the business of art.
Notes towards a strategy of circumventing the art business and the business of art.
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America. 1989.
America. 1989.
On the Road.
Accelerated allegories.
Resisting the frameworks of globalized neoliberal circulation.
Model: Motorelief N°11.
Altermodernity: The culture of production exists as a movement of continuous reformation that circulates beyond borders.
Model: Kerouac Superior.
Notes, 1989. Portland, OR.
Inside the Labyrinth.
Teleology built into the design.
Beauty in allegorical transparency.
Unravelling the threads of infinite recursion.
Transition from the hermeticism of digital image files stored in the cloud to the virtual exhibition sites of a globalised neoliberal circulation.
Le Mans, France, 1998.
Formulæ one: Entering the framework of cultural production.
The racing car enters the pit, stops and turns off the engine.
After refuelling, the tyre jack is connected to the car and the tyres are changed.
The driver starts the engine and the car leaves the pit lane.
Exception: A driver change can start during refuelling.
Skirting the art slides of production.
Strategies of retreat into mythical territory, i.e. entering the digital labyrinth.
Allegorical assemblage as a form of resistance.
The allegorical type: Boîte-en-valise with new tyres > Western Digital
Fabricating an art capable of meta-critique & without an object(ive)
Evidence of an artist's digital portfolio, stored on external hard drives and, in the future, more poetically stored in the cloud. An artist's transportable oeuvre, fluctuating in purpose and destination, with the potential to glide in & out of neoliberal sites of cultural production.
Nick Fudge 尼克•福吉
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