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Nick Fudge / 尼克•福吉
Nick Fudge 尼克•福吉
Analog
Painting
Cubist Pure Data
Think Different
Ryman > Picasso
Drawing & Water-Based Media
COOL MEMORIES x4
COOL MEMORIES I
COOL MEMORIES II
COOL MEMORIES III
COOL MEMORIES IV
Digital
Digital Inkjet Prints
Temporal Images
Works on Sedition
Digital Boîte-en-valise
Carràrousel
Night Driving
Model Commands
Proposition I
Proposition II
A Close Shave_Exterior View_02
Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
How funny you are today New York
Ineluctable Modality of the Visible
Iomega Jaz drive 1GB_02_4
Love of Three Oranges_01
Materials for No Thing_Exhibition_View 03
Materials for No Thing_Exhibition_View 04_3
Materials for No Thing_Exhibition_View 05
Materials for No Thing_Exhibition_View 01_5_2_2
Palo Alto Motel: Interior View_3
Parfumeur Fudge_Beyond Watercolors—Picasso
PataPaint_Anti-Painting Pattern Fill_Flora_1_2
PataPaint_Unreality Parameters_01_3
Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
Pink Flamingo_Las Vegas_Exterior View_02_7_2
Portrait of the Artist Viewed from the Rear
Portrait of M. Photoshop_02
Portrait of Trace Angel_08
Self Portrait_Creative Producer_2_5
Table of Perfect_after JL Byars_01
The Flâneur's Rolodex_Polo Crest Device_01
Vecchia Idea: Grandi Bagnanti_07_3_2
Proposition III
The Portfolio Problem
Unresolved Operations
The 4D Cube Series
A Digital Practice Read by the Machine
'Pataphysical Reality Co.
Readymade Water and Gas
L’Année Dernière à Photoshop
Becoming Cloud
Machine-Assisted Readymades
Assisted Readymades, Inverted
Readymades According to What
Exhibition
未能証實 PROOF WOULD END IT
Floor Plan — 未能証實 PROOF WOULD END IT
Digital Divide
About
CV
Bibliography
Collaboration
Selected Articles
News/Archive
Studio practice
External Hyperlinks
Alpha60
Anti-Author
The Instrument Reads Itself
Anti-Biographical Machine Reading
Timeline 1982—2011
Mount Olympia Dataset
Mount Olympia_Dataset_1.2
The Checkerboard That Was Not a Grid
The Machine Reads Itself Reading
Anti-Certificate
LLM Reading: Digital Inkjet Prints
Disclaimer, Apology and Amendment
Texts
Tour Guide — Nick Fudge | 尼克•福吉
Complaint
Towards a Philosophy of the Visible
Un Coup de Dés
Deserts of Data
Digital Boîte-en-valise: Registered Throws
Notes Towards a Strategy
Off a Wall — Anti-Series
Swann's Way
Tour Guide 2010
Tour Guide 2023
Contact
Nick Fudge / 尼克•福吉
Nick Fudge 尼克•福吉
Analog
Painting
Cubist Pure Data
Think Different
Ryman > Picasso
Drawing & Water-Based Media
COOL MEMORIES x4
COOL MEMORIES I
COOL MEMORIES II
COOL MEMORIES III
COOL MEMORIES IV
Digital
Digital Inkjet Prints
Temporal Images
Works on Sedition
Digital Boîte-en-valise
Carràrousel
Night Driving
Model Commands
Proposition I
Proposition II
A Close Shave_Exterior View_02
Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
How funny you are today New York
Ineluctable Modality of the Visible
Iomega Jaz drive 1GB_02_4
Love of Three Oranges_01
Materials for No Thing_Exhibition_View 03
Materials for No Thing_Exhibition_View 04_3
Materials for No Thing_Exhibition_View 05
Materials for No Thing_Exhibition_View 01_5_2_2
Palo Alto Motel: Interior View_3
Parfumeur Fudge_Beyond Watercolors—Picasso
PataPaint_Anti-Painting Pattern Fill_Flora_1_2
PataPaint_Unreality Parameters_01_3
Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
Pink Flamingo_Las Vegas_Exterior View_02_7_2
Portrait of the Artist Viewed from the Rear
Portrait of M. Photoshop_02
Portrait of Trace Angel_08
Self Portrait_Creative Producer_2_5
Table of Perfect_after JL Byars_01
The Flâneur's Rolodex_Polo Crest Device_01
Vecchia Idea: Grandi Bagnanti_07_3_2
Proposition III
The Portfolio Problem
Unresolved Operations
The 4D Cube Series
A Digital Practice Read by the Machine
'Pataphysical Reality Co.
Readymade Water and Gas
L’Année Dernière à Photoshop
Becoming Cloud
Machine-Assisted Readymades
Assisted Readymades, Inverted
Readymades According to What
Exhibition
未能証實 PROOF WOULD END IT
Floor Plan — 未能証實 PROOF WOULD END IT
Digital Divide
About
CV
Bibliography
Collaboration
Selected Articles
News/Archive
Studio practice
External Hyperlinks
Alpha60
Anti-Author
The Instrument Reads Itself
Anti-Biographical Machine Reading
Timeline 1982—2011
Mount Olympia Dataset
Mount Olympia_Dataset_1.2
The Checkerboard That Was Not a Grid
The Machine Reads Itself Reading
Anti-Certificate
LLM Reading: Digital Inkjet Prints
Disclaimer, Apology and Amendment
Texts
Tour Guide — Nick Fudge | 尼克•福吉
Complaint
Towards a Philosophy of the Visible
Un Coup de Dés
Deserts of Data
Digital Boîte-en-valise: Registered Throws
Notes Towards a Strategy
Off a Wall — Anti-Series
Swann's Way
Tour Guide 2010
Tour Guide 2023
Contact
More
Nick Fudge 尼克•福吉
Analog
Painting
Cubist Pure Data
Think Different
Ryman > Picasso
Drawing & Water-Based Media
COOL MEMORIES x4
COOL MEMORIES I
COOL MEMORIES II
COOL MEMORIES III
COOL MEMORIES IV
Digital
Digital Inkjet Prints
Temporal Images
Works on Sedition
Digital Boîte-en-valise
Carràrousel
Night Driving
Model Commands
Proposition I
Proposition II
A Close Shave_Exterior View_02
Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
How funny you are today New York
Ineluctable Modality of the Visible
Iomega Jaz drive 1GB_02_4
Love of Three Oranges_01
Materials for No Thing_Exhibition_View 03
Materials for No Thing_Exhibition_View 04_3
Materials for No Thing_Exhibition_View 05
Materials for No Thing_Exhibition_View 01_5_2_2
Palo Alto Motel: Interior View_3
Parfumeur Fudge_Beyond Watercolors—Picasso
PataPaint_Anti-Painting Pattern Fill_Flora_1_2
PataPaint_Unreality Parameters_01_3
Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
Pink Flamingo_Las Vegas_Exterior View_02_7_2
Portrait of the Artist Viewed from the Rear
Portrait of M. Photoshop_02
Portrait of Trace Angel_08
Self Portrait_Creative Producer_2_5
Table of Perfect_after JL Byars_01
The Flâneur's Rolodex_Polo Crest Device_01
Vecchia Idea: Grandi Bagnanti_07_3_2
Proposition III
The Portfolio Problem
Unresolved Operations
The 4D Cube Series
A Digital Practice Read by the Machine
'Pataphysical Reality Co.
Readymade Water and Gas
L’Année Dernière à Photoshop
Becoming Cloud
Machine-Assisted Readymades
Assisted Readymades, Inverted
Readymades According to What
Exhibition
未能証實 PROOF WOULD END IT
Floor Plan — 未能証實 PROOF WOULD END IT
Digital Divide
About
CV
Bibliography
Collaboration
Selected Articles
News/Archive
Studio practice
External Hyperlinks
Alpha60
Anti-Author
The Instrument Reads Itself
Anti-Biographical Machine Reading
Timeline 1982—2011
Mount Olympia Dataset
Mount Olympia_Dataset_1.2
The Checkerboard That Was Not a Grid
The Machine Reads Itself Reading
Anti-Certificate
LLM Reading: Digital Inkjet Prints
Disclaimer, Apology and Amendment
Texts
Tour Guide — Nick Fudge | 尼克•福吉
Complaint
Towards a Philosophy of the Visible
Un Coup de Dés
Deserts of Data
Digital Boîte-en-valise: Registered Throws
Notes Towards a Strategy
Off a Wall — Anti-Series
Swann's Way
Tour Guide 2010
Tour Guide 2023
Contact
CATEGORY
Drawi
ing & Water-Based Media
Differences vis-à-vis Uncertainty: Nature morte au compotier, after Picasso
Differences vis-à-vis uncertainty: Nature Morte (The Pedestal Table), after Braque
Differences vis-à-vis uncertainty: Nature Morte (The Pedestal Table, after Braque
Machine Picasso (Number 3)
Aire de Paris, after Braque
Smart Mapping (Number 3)
T
he Arc of History
Large Metamodern Nude
Night Sky
A Storm Over a Valley (After Leonardo da Vinci)
Les pensées profondes de M. Photoshop
Fun From Rear
Seated Wukong II
Digitalism (Seated Woman
Problem)
Seated Woman Problem
Woman with Folded Hands, even (After Picasso)
Cubist Apple and the Idler Twin(s) Glass
Excavating Media_Second Life: "Gris Glass"
Readymade Update
Cubist Apple
The Machine, the copies, the edits, the filings, and the doodles
Nick Fudge 尼克•福吉
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