Art and ai

My art practice is informed by my engagement with the philosophy of technology, particularly as it relates to artificial intelligence (AI) and its intersection with art, culture, and society...

Tour Guide

"I had the idea of a machine writing a Catalogue Raisonné, and I was in love with the idea."

Nick Fudge (to Michael Landy) (Goldsmiths: 1988)

A Hidden Archive: A Manifesto

Since 1988, my work has occupied a modest space at the convergence of painting, art history, digital culture, and the philosophy of technology. I have not sought immediate acclaim, but to observe the slow unfolding of ideas - a process more akin to careful discovery...

Datasets Adrift: Not seen and/or less seen of/by Nick Fudge/AI, 1994-

I remain indifferent to the fact that my digital work has rarely, if ever, been seen. Mostly unpublished, unexhibited, sequestered in the opaque recesses of the digital ether since 1994 - stored, not for recognition, but as autonomous data relics adrift in a boundless void...

Towards a Philosophy of the Visible

In 1989, I made a conscious decision to step back from the London art scene. I made this choice with the confidence of someone placing a significant and personal bet at the roulette table.. After graduating from Goldsmiths College in the summer of 1988...

Tour Guide

"I had the idea of a machine writing a Catalogue Raisonné, and I was in love with the idea."

Nick Fudge (to Michael Landy) (Goldsmiths: 1988)

Deserts of Data

I Speak of American Deserts and of my Paintings which are not Paintings

No products, no auctions.
Infinite panning shots over silicon landscapes,
over freeways, over burnt-out grids...