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Nick Fudge / 尼克•福吉
  • Nick Fudge 尼克•福吉
  • Analog
    • Painting
      • Cubist Pure Data
      • Think Different
      • Ryman > Picasso
    • Drawing & Water-Based Media
    • COOL MEMORIES x4
      • COOL MEMORIES I
      • COOL MEMORIES II
      • COOL MEMORIES III
      • COOL MEMORIES IV
  • Digital
    • Working Methods (Provisional)
      • Digital Inkjet Prints
    • Unresolved Operations
      • The 4D Cube Series
    • A Digital Practice Read by the Machine
    • 'Pataphysical Reality Co.
      • Readymade Water and Gas
      • L’Année Dernière à Photoshop
      • Becoming Cloud
    • Proposition
    • Proposition II
      • A Close Shave_Exterior View_02
      • Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
      • How funny you are today New York
      • Ineluctable Modality of the Visible
      • Iomega Jaz drive 1GB_02_4
      • James Lee Byars' Table of Perfect
      • Love of Three Oranges_01
      • Materials for No Thing_Exhibition_View 03
      • Materials for No Thing_Exhibition_View 04_3
      • Materials for No Thing_Exhibition_View 05
      • Materials for No Thing_Exhibition_View 01_5_2_2
      • Palo Alto Motel: Interior View_3
      • Parfumeur Fudge_Beyond Watercolors—Picasso
      • PataPaint_Anti-Painting Pattern Fill_Flora_1_2
      • PataPaint_Unreality Parameters_01_3
      • Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
      • Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
      • Pink Flamingo_Las Vegas_Exterior View_02_7_2
      • Portrait of the Artist Viewed from the Rear
      • Portrait of M. Photoshop_02
      • Portrait of Trace Angel_08
      • Self Portrait_Creative Producer_2_5
      • The Flâneur's Rolodex_Polo Crest Device_01
      • Vecchia Idea: Grandi Bagnanti_07_3_2
  • Anti Author
    • The Instrument Reads Itself
    • Timeline 1982—2011
    • Mount Olympia_Dataset 1.2
    • Anti-Certificate
  • Exhibition
    • 未能証實 PROOF WOULD END IT
      • Heist
    • News/Archive
    • Selected Articles
  • Biography
    • Biography II
    • LLM Drafted Biography
    • Accelerated Autobiograph i e s
    • Couplandian Autobiography
    • Collaboration
    • Bibliography
    • Timeline
    • Underground, London
      • Complaint
    • Underground, NYC
  • CV
  • Contact
Nick Fudge / 尼克•福吉
  • Nick Fudge 尼克•福吉
  • Analog
    • Painting
      • Cubist Pure Data
      • Think Different
      • Ryman > Picasso
    • Drawing & Water-Based Media
    • COOL MEMORIES x4
      • COOL MEMORIES I
      • COOL MEMORIES II
      • COOL MEMORIES III
      • COOL MEMORIES IV
  • Digital
    • Working Methods (Provisional)
      • Digital Inkjet Prints
    • Unresolved Operations
      • The 4D Cube Series
    • A Digital Practice Read by the Machine
    • 'Pataphysical Reality Co.
      • Readymade Water and Gas
      • L’Année Dernière à Photoshop
      • Becoming Cloud
    • Proposition
    • Proposition II
      • A Close Shave_Exterior View_02
      • Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
      • How funny you are today New York
      • Ineluctable Modality of the Visible
      • Iomega Jaz drive 1GB_02_4
      • James Lee Byars' Table of Perfect
      • Love of Three Oranges_01
      • Materials for No Thing_Exhibition_View 03
      • Materials for No Thing_Exhibition_View 04_3
      • Materials for No Thing_Exhibition_View 05
      • Materials for No Thing_Exhibition_View 01_5_2_2
      • Palo Alto Motel: Interior View_3
      • Parfumeur Fudge_Beyond Watercolors—Picasso
      • PataPaint_Anti-Painting Pattern Fill_Flora_1_2
      • PataPaint_Unreality Parameters_01_3
      • Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
      • Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
      • Pink Flamingo_Las Vegas_Exterior View_02_7_2
      • Portrait of the Artist Viewed from the Rear
      • Portrait of M. Photoshop_02
      • Portrait of Trace Angel_08
      • Self Portrait_Creative Producer_2_5
      • The Flâneur's Rolodex_Polo Crest Device_01
      • Vecchia Idea: Grandi Bagnanti_07_3_2
  • Anti Author
    • The Instrument Reads Itself
    • Timeline 1982—2011
    • Mount Olympia_Dataset 1.2
    • Anti-Certificate
  • Exhibition
    • 未能証實 PROOF WOULD END IT
      • Heist
    • News/Archive
    • Selected Articles
  • Biography
    • Biography II
    • LLM Drafted Biography
    • Accelerated Autobiograph i e s
    • Couplandian Autobiography
    • Collaboration
    • Bibliography
    • Timeline
    • Underground, London
      • Complaint
    • Underground, NYC
  • CV
  • Contact
  • More
    • Nick Fudge 尼克•福吉
    • Analog
      • Painting
        • Cubist Pure Data
        • Think Different
        • Ryman > Picasso
      • Drawing & Water-Based Media
      • COOL MEMORIES x4
        • COOL MEMORIES I
        • COOL MEMORIES II
        • COOL MEMORIES III
        • COOL MEMORIES IV
    • Digital
      • Working Methods (Provisional)
        • Digital Inkjet Prints
      • Unresolved Operations
        • The 4D Cube Series
      • A Digital Practice Read by the Machine
      • 'Pataphysical Reality Co.
        • Readymade Water and Gas
        • L’Année Dernière à Photoshop
        • Becoming Cloud
      • Proposition
      • Proposition II
        • A Close Shave_Exterior View_02
        • Apple Newton MessagePad 100_Problem of Picasso_Seated Woman Series_01
        • How funny you are today New York
        • Ineluctable Modality of the Visible
        • Iomega Jaz drive 1GB_02_4
        • James Lee Byars' Table of Perfect
        • Love of Three Oranges_01
        • Materials for No Thing_Exhibition_View 03
        • Materials for No Thing_Exhibition_View 04_3
        • Materials for No Thing_Exhibition_View 05
        • Materials for No Thing_Exhibition_View 01_5_2_2
        • Palo Alto Motel: Interior View_3
        • Parfumeur Fudge_Beyond Watercolors—Picasso
        • PataPaint_Anti-Painting Pattern Fill_Flora_1_2
        • PataPaint_Unreality Parameters_01_3
        • Pink Flamingo Hotel_Las Vegas_Exterior View_02_2
        • Pink Flamingo Hotel_Las Vegas_Exterior View_02_4
        • Pink Flamingo_Las Vegas_Exterior View_02_7_2
        • Portrait of the Artist Viewed from the Rear
        • Portrait of M. Photoshop_02
        • Portrait of Trace Angel_08
        • Self Portrait_Creative Producer_2_5
        • The Flâneur's Rolodex_Polo Crest Device_01
        • Vecchia Idea: Grandi Bagnanti_07_3_2
    • Anti Author
      • The Instrument Reads Itself
      • Timeline 1982—2011
      • Mount Olympia_Dataset 1.2
      • Anti-Certificate
    • Exhibition
      • 未能証實 PROOF WOULD END IT
        • Heist
      • News/Archive
      • Selected Articles
    • Biography
      • Biography II
      • LLM Drafted Biography
      • Accelerated Autobiograph i e s
      • Couplandian Autobiography
      • Collaboration
      • Bibliography
      • Timeline
      • Underground, London
        • Complaint
      • Underground, NYC
    • CV
    • Contact

Download CV (PDF)

Nick Fudge / 尼克•福吉

Born in London, England, 1961 · Lives and works in Lisbon, Portugal

EDUCATION

1992–1994 – MFA Painting, Tyler School of Art, Temple University, Philadelphia, USA.
1985–1988 – BA Fine Art, Goldsmiths College, University of London, UK.

SOLO & SITE-SPECIFIC EXHIBITIONS (SELECTED)

2026
未能証實 PROOF WOULD END IT, 酒仙桥路4号798艺术区七星东街E02栋CLC画廊 CLC Gallery Venture, 798 Art District, Beijing, China. Curated and organized by 周翊 Zhou Yi.

2024
啪嗒绘画 PataPaint – site-specific installation: solar powered, self-illuminating screen, Gobi Desert, China – C 5CNM Gallery, 798 Art District, Beijing, China. Organized and curated by 周翊 Zhou Yi.

2018
Undo Redo Return, HSBC HQ, Canada Water, London, UK. Solo exhibition curated by Daniel Lancaster and Jeremy Akerman (March–June).

2016
Reality Drive: Escape Velocity, Fitzrovia Gallery, London, UK. Solo exhibition (June–July).

2016
Reality Drive, Observer Arts, Observer Building, Hastings, UK. Solo exhibition (April–May).

GROUP EXHIBITIONS & CURATED PRESENTATIONS (SELECTED)

2025
The Sedition Soirée, art’otel London Hoxton, London, UK. Curated digital showcase with Mat Collishaw, Nick Fudge, and Terry Flaxton, presented by Sedition in partnership with Muse Frame (Oct 8–16; private view Oct 15).

2024
Semi-Manual Era, Gravity Art Museum, Beijing, China. Group exhibition; Unplugged In section curated by 周翊 Zhou Yi, with Chen Ke, Nick Fudge, Gao Ludi, Lao Jiahui, Shang Liang, Song Yonghong, Unmask (Liu Zhan), Wang Yiwei, Yancong, Zhang Yudong (June 29–Sept 23).

2024
Apollo’s Decathlon, Château de Montsoreau – Museum of Contemporary Art, Montsoreau, France. Group exhibition curated by Lara Pan in collaboration with the museum; Fudge represents Great Britain in the painting category with *PICASSO CO.*

2024
Future Paint, Kelly-McKenna Gallery, Spring Lake, New Jersey, USA. Three-person exhibition with Charley Peters and Komply; organized and curated by Nick Fudge (April–June).

2021
Digital Divide II – Painting in the Age of New Media, HilbertRaum, Berlin, Germany. Group exhibition with Andreas Lau, Enda O’Donoghue, Römer + Römer, Sandra Schlipkoeter (Oct–Nov).

2019–2020
Digital Divide – Painting in the Age of New Media, Kunstverein Speyer, Germany. Three-person show with Andreas Lau and Römer + Römer (Dec–Jan).

2015–2016
Borderlands, Albus3 Arts, Northampton, UK. Group exhibition (Dec 11–Jan 31).

2015
Obscured by Clouds, Observer Arts, The Observer Building, Hastings, UK. Two-person exhibition with Phil King, curated by Mathew Burrows (Sept 5–Oct 31).

1994
Material for No Thing, MFA Graduation Exhibition, Tyler School of Art, Temple University, Philadelphia, USA. Two-person exhibition with Steve Voll (May 4–June 18).

1992
Fifth Anniversary Exhibition, Karsten Schubert Ltd., London, UK. Group show with Mat Collishaw, Keith Coventry, Tobias Eyferth, Nicholas Fudge, Sarah Lucas; curated by Michael Landy (Jan–Feb).

DIGITAL PRESENTATIONS, COLLECTIONS & ART FAIRS (SELECTED)

2026
証明將終結之 / Proof Would End It & 非作品之証書 / Certificate of the Anti-Work, Presented by CLC Gallery Venture, Beijing; curated by 周翊 Zhou Yi, Art Basel Hong Kong, Hong Kong · March 2026.

2026
Alchemic Flow, Sedition x Muse Frame — curated international video presentation at The Social Hub Rome, Rome, Italy · Feb 2026

2025
Cubist Guitars in Digital Color Space, Sedition — featured solo digital presentation at Sedition / Muse Frame booth, Digitalism Art Fair, Saatchi Gallery, London (British Art Fair / Frieze week), collection launch Sept 25; collection sold out.

2024
Picasso Pizazz, Sedition. Second digital collection, launched May 8; accompanied by Vladislav Alimpiev’s interview Reframing Modernism in the Digital Age.

2023
Destruction of Appearance, Sedition. First digital collection, launched Nov 15.

TALKS, PANELS & PUBLIC PROGRAMMES (SELECTED)

2025
Panelist, Sedition Soirée: An Evening Between Eras, Sedition, art’otel London Hoxton, London, UK. Panel with Mat Collishaw and Terry Flaxton, moderated by Dyl Blaquiere, reflecting on the YBA era and digital futures (Frieze week).

2024
Artist talk, Future Paint, Kelly-McKenna Gallery, Spring Lake, New Jersey, USA (April 11).

2018
Artist talk, Undo Redo Return, HSBC HQ, Canada Water, London, UK. Hosted by Jeremy Akerman (May 3).

2016
Artist talk, Turps Banana Studio Programme, London, UK. Studio presentation and discussion hosted by Marcus Harvey and Phillip Allen (Jan 29).

BROADCAST & INTERVIEWS (SELECTED)

Interview, Artist Spotlight: Nick Fudge, Sedition Art curated by Aria, interviewed by Paloma Rodriguez (Dec 10, 2025).

Guest, Life Stories with Nick Fudge, Talk Radio Europe (Apr 2019).

Conversation with Römer + Römer, Turps Banana magazine Issue 21, (2019).

Conversation with Susie Hamilton, Turps Banana magazine Issue 18, (2017).

BIBLIOGRAPHY (SELECTED)

Vladislav Alimpiev, “Reframing Modernism in the Digital Age with ‘Picasso Pizazz’,” Sedition (3 May 2024).

Lara Pan, “Future Paint: Nick Fudge’s Emergence from the Underground,” White Hot Magazine (1 May 2024).

Ellen Korelus-Bruder, “Speyer: Exhibition ‘Digital Divide – Painting in the Age of New Media’ at the Kunstverein,” Die Rheinpfalz (29 Nov 2019).

An Paenhuysen, “From Berlin to Hastings: an Art Journey Through Delayed Reaction,” Sleek (Autumn 2015).

Jack Malvern, “Rebel artist who threw it all away returns after 25 years,” The Times (Apr 2016).

Laura Silverman, “My Space: Nicholas Fudge, Artist,” The Sunday Telegraph (Apr 2016).

An Paenhuysen, “Das Verschwinden des Materials. Or Nick Fudge, Sleek Magazine, and a Little Extra,” Sleek (2015).

PROFESSIONAL ACTIVITIES (SELECTED)

Member of the editorial board, Turps Banana magazine (2019-2024).

info@fudge.studio
ALL CONTENT © NICHOLAS FUDGE, 2026
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